Moses Smith reflects on Nadia Boulanger's disposition and musical philosophy/aesthetic. He states that she was modest, dressed inconspicuously, and saw no reason for glofification of performers in music, believing instead in expression.
abstract
Moses Smith reflects on Nadia Boulanger's disposition and musical philosophy/aesthetic. He states that she was modest, dressed inconspicuously, and saw no reason for glofification of performers in music, believing instead in expression.
Abstract
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