00:00 Brakhage opens Q+A 02:30 Talks about how his film 'Moth light' was made 04:45 Recommends the book 'The Essential cinema' 08:30 Begins discussing an essay on Bresson's 'The diary of a country priest' 10:20 Elaborates on the "memory I" vs. the "existential I" and the "communal I" 12:30 Talks about the subjective in cinema, as attempted in the film 'The lady of the lake' 17:00 Explains Bresson's use of non-actors to avoid trained "expressiveness" 22:30 Criticizes the art magazine 'October' 26:00 Talks about Japanese cinema 27:00 Criticizes an essay about self-consciousness in the arts 32:00 Talks about Bresson's personality, attitudes, and commercialism 37:00 Expresses anger at cinematographers having to cut out parts of their works. 39:00 Elaborates on the music in Bresson's films 44:15 Goes into Bresson's film 'Pickpocket' 51:00 Reads quotes by Bresson and comments, specifically concerning 'Au hazard Balthazar' 57:45 Talks about students' criticism of himself and artists' struggling 01:02:00 Expresses his admiration for donkeys 01:11:30 More Bresson quotes and commentaries 01:13:30 Talks about camera techniques 01:16:00 Talks about Bresson choosing a donkey for the film 01:17:30 More Bresson quotes and commentaries 01:24:30 Talks about the film 'The yearling' 01:29:15 More Bresson quotes and commentaries 01:31:27 End
description
00:00 Brakhage opens Q+A 02:30 Talks about how his film 'Moth light' was made 04:45 Recommends the book 'The Essential cinema' 08:30 Begins discussing an essay on Bresson's 'The diary of a country priest' 10:20 Elaborates on the "memory I" vs. the "existential I" and the "communal I" 12:30 Talks about the subjective in cinema, as attempted in the film 'The lady of the lake' 17:00 Explains Bresson's use of non-actors to avoid trained "expressiveness" 22:30 Criticizes the art magazine 'October' 26:00 Talks about Japanese cinema 27:00 Criticizes an essay about self-consciousness in the arts 32:00 Talks about Bresson's personality, attitudes, and commercialism 37:00 Expresses anger at cinematographers having to cut out parts of their works. 39:00 Elaborates on the music in Bresson's films 44:15 Goes into Bresson's film 'Pickpocket' 51:00 Reads quotes by Bresson and comments, specifically concerning 'Au hazard Balthazar' 57:45 Talks about students' criticism of himself and artists' struggling 01:02:00 Expresses his admiration for donkeys 01:11:30 More Bresson quotes and commentaries 01:13:30 Talks about camera techniques 01:16:00 Talks about Bresson choosing a donkey for the film 01:17:30 More Bresson quotes and commentaries 01:24:30 Talks about the film 'The yearling' 01:29:15 More Bresson quotes and commentaries 01:31:27 End
Description
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