COLLECTION NAME:
Stan Brakhage Collection mediaCollectionId UCBOULDERCB1~71~71 Stan Brakhage Collection Collection true
Record
Identifier:
narv_4th5Lecture1-13-75End identifier narv_4th5Lecture1-13-75End Identifier false
Title:
Stan Brakhage on the human brain and avant-garde artists - Part 2 title Stan Brakhage on the human brain and avant-garde artists - Part 2 Title false
Description:
Continues 'Stan Brakhage on the human brain and avant-garde artists - Part 1.' Stan Brakhage continues his metaphor for avant-garde artists and prehistoric cave painters. He describes the making of 'The Cabinet of Dr. Caligari.' Brakhage notes that this film was the inspiration for a film by James Sibley Watson and Melville Webber: 'The Fall of the House of Usher.' He provides a metaphor that describes how and why Herman Weinberg made 'Autumn Fire.' Brakhage tells a personal story about how he got into filmmaking. He gives his opinion of Marcel Duchamp and describes Duchamp's film 'Anemic Cinema.' description Continues 'Stan Brakhage on the human brain and avant-garde artists - Part 1.' Stan Brakhage continues his metaphor for avant-garde artists and prehistoric cave painters. He describes the making of 'The Cabinet of Dr. Caligari.' Brakhage notes that this film was the inspiration for a film by James Sibley Watson and Melville Webber: 'The Fall of the House of Usher.' He provides a metaphor that describes how and why Herman Weinberg made 'Autumn Fire.' Brakhage tells a personal story about how he got into filmmaking. He gives his opinion of Marcel Duchamp and describes Duchamp's film 'Anemic Cinema.' Description false
Description Type:
Abstract description_type Abstract Description Type false
Description:
00:00 Stan Brakhage begins 37:45 Brakhage ends 37:54 Questions from the audience begin 52:29 End description 00:00 Stan Brakhage begins 37:45 Brakhage ends 37:54 Questions from the audience begin 52:29 End Description false
Description Type:
SegmentSequence description_type SegmentSequence Description Type false
Description:
Course title: History of Film: Sex/Death, Eisenstein, Etcetera) - The School of the Art Institute of Chicago description Course title: History of Film: Sex/Death, Eisenstein, Etcetera) - The School of the Art Institute of Chicago Description false
Description Type:
Venue description_type Venue Description Type false
Subject:
Artists subject_1 Artists Subject false
Subject Type:
lcsh subject_type_1 lcsh Subject Type false
Subject:
Duchamp, Marcel, 1887-1968 subject_1 Duchamp, Marcel, 1887-1968 Subject false
Subject Type:
naf subject_type_1 naf Subject Type false
Subject:
Anemic cinema (Motion picture) subject_1 Anemic cinema (Motion picture) Subject false
Subject:
Avant-garde (Aesthetics) subject_1 Avant-garde (Aesthetics) Subject false
Subject Type:
lcsh subject_type_1 lcsh Subject Type false
Subject:
Poe, Edgar Allan, 1809-1849. Fall of the house of Usher subject_1 Poe, Edgar Allan, 1809-1849. Fall of the house of Usher Subject false
Subject Type:
lcsh subject_type_1 lcsh Subject Type false
Subject:
Filmmaking (Motion pictures) subject_1 Filmmaking (Motion pictures) Subject false
Subject Type:
lcsh subject_type_1 lcsh Subject Type false
Subject:
Brakhage, Stan subject_1 Brakhage, Stan Subject false
Subject:
Cabinet of Dr. Caligari (Motion picture) subject_1 Cabinet of Dr. Caligari (Motion picture) Subject false
Subject Type:
lcsh subject_type_1 lcsh Subject Type false
Subject:
Weinberg, Herman G subject_1 Weinberg, Herman G Subject false
Subject Type:
naf subject_type_1 naf Subject Type false
Subject:
Autumn fire (Motion picture) subject_1 Autumn fire (Motion picture) Subject false
Source:
narv_4th5Lecture1-13-75End source narv_4th5Lecture1-13-75End Source false
Creator:
Brakhage, Stan creator Brakhage, Stan Creator false
Creator Type:
naf creator_type naf Creator Type false
Date:
1/13/1975 date 1/13/1975 Date false
Format Medium:
audio/mp3 format_medium audio/mp3 Format Medium false
Language:
English language English Language false

Stan Brakhage on the human brain and avant-garde artists - Part 2

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Stan Brakhage on the human brain and avant-garde artists - Part 2