Stan Brakhage talks about Roberto Rosselini and refutes Rossellini's belief that films should be analyzed through single frames. Brakhage describes the relationship between Maya Deren and Sasha Hammid. He also mentions Hammid's first film, 'The Private Life of a Cat,' and he analyzes the camera work by both Hammid and Deren in this film. Brakhage gives some biographical details of Deren's life, such as her involvement with Haitian voodoo and her relationship with Teiji Itō He discusses the works of Vittorio De Sica and Roberto Rossellini.
description
Stan Brakhage talks about Roberto Rosselini and refutes Rossellini's belief that films should be analyzed through single frames. Brakhage describes the relationship between Maya Deren and Sasha Hammid. He also mentions Hammid's first film, 'The Private Life of a Cat,' and he analyzes the camera work by both Hammid and Deren in this film. Brakhage gives some biographical details of Deren's life, such as her involvement with Haitian voodoo and her relationship with Teiji Itō He discusses the works of Vittorio De Sica and Roberto Rossellini.
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