COLLECTION NAME:
Conference on World Affairs Audio Archive
mediaCollectionId
UCBOULDERCB1~57~57
Conference on World Affairs Audio Archive
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true
Collection Name:
Conference On World Affairs Archives
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Conference On World Affairs Archives
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Identifier ARK:
identifier_ark
https://ark.colorado.edu/ark:/47540/4c0q2n80h832
Identifier ARK
false
identifier:
cwa_63-33.mp3
identifier
cwa_63-33.mp3
identifier
false
title:
And Science
title
And Science
title
false
titleType:
Program
titletype
Program
titleType
false
titleSeries:
Series III: The Artist
titleseries
Series III: The Artist
titleSeries
false
subject:
Artists
subject
Artists
subject
false
subjectAuthorityUsed:
subjectauthorityused
http://id.worldcat.org/fast/817559
subjectAuthorityUsed
false
subject:
Scientists
subject
Scientists
subject
false
subjectAuthorityUsed:
subjectauthorityused
http://id.worldcat.org/fast/1108895
subjectAuthorityUsed
false
subject:
Individual differences
subject
Individual differences
subject
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subjectAuthorityUsed:
subjectauthorityused
http://id.worldcat.org/fast/970304
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description:
Moderated by Mark Papworth; 00:21 Gerald M. Feigen begins the discussion by asking what the dialect is between the artist and the scientist, what is different, what is mutual, and what is the future between them; 04:40 Feigen offers a solution to reconcile the two professions; 06:05 Audio skips and Papworth asks the panel if there are any comments on Feigen’s remarks; 06:14 Unidentified panelist states he thinks they should be talking about individual processes of art history and problem solving in science. The panelist continues to say that the arts and sciences have both benefited from each other; 08:30 Second unidentified panelist begins talking about the “ancient quarrel†and that art and science are different languages. The second panelist continues to mention that while the scientists promote technology, poets or artists “give light to the world†and are the ones that help others understand science and technology; 16:40 Buckminster Fuller begins talking; 17:00 Fuller talks about Werner Heisenberg’s experiments and the public perception of him; 19:50 Fuller talks about mathematician, George Boole and the preposterous things he would do; 21:38 Fuller talks about Picasso and his statement that “art is a lie.†Fuller compares Picasso’s actions with Boolean mathematics; 31:05 Roger Revelle is introduced. He expresses that, in his opinion, the artist and the scientist are the most closely related because they require the same qualities such as a “seeing-eye†and a creative imagination to find relationships between phenomena; 36:40 Revelle continues to state that there is a greater estrangement between art and science; 38:34 [George Boas] mentions that the scientists are killing the artists; 41:03 [Boas] asks “what kind of mind is attracted to science?†and states his objections to science while the artist still maintains his amateur status; 44:12 Papworth asks Dr. Feigen to make a concluding statement since he started the discussion. He tells the audience to experiment with both art and science and no one has to be either role; 48:05 Audience applauds panel.
description
Moderated by Mark Papworth; 00:21 Gerald M. Feigen begins the discussion by asking what the dialect is between the artist and the scientist, what is different, what is mutual, and what is the future between them; 04:40 Feigen offers a solution to reconcile the two professions; 06:05 Audio skips and Papworth asks the panel if there are any comments on Feigen’s remarks; 06:14 Unidentified panelist states he thinks they should be talking about individual processes of art history and problem solving in science. The panelist continues to say that the arts and sciences have both benefited from each other; 08:30 Second unidentified panelist begins talking about the “ancient quarrel†and that art and science are different languages. The second panelist continues to mention that while the scientists promote technology, poets or artists “give light to the world†and are the ones that help others understand science and technology; 16:40 Buckminster Fuller begins talking; 17:00 Fuller talks about Werner Heisenberg’s experiments and the public perception of him; 19:50 Fuller talks about mathematician, George Boole and the preposterous things he would do; 21:38 Fuller talks about Picasso and his statement that “art is a lie.†Fuller compares Picasso’s actions with Boolean mathematics; 31:05 Roger Revelle is introduced. He expresses that, in his opinion, the artist and the scientist are the most closely related because they require the same qualities such as a “seeing-eye†and a creative imagination to find relationships between phenomena; 36:40 Revelle continues to state that there is a greater estrangement between art and science; 38:34 [George Boas] mentions that the scientists are killing the artists; 41:03 [Boas] asks “what kind of mind is attracted to science?†and states his objections to science while the artist still maintains his amateur status; 44:12 Papworth asks Dr. Feigen to make a concluding statement since he started the discussion. He tells the audience to experiment with both art and science and no one has to be either role; 48:05 Audience applauds panel.
description
false
descriptionType:
Program
descriptiontype
Program
descriptionType
false
coverageSpatial:
Old Main Chapel
coveragespatial
Old Main Chapel
coverageSpatial
false
contributor:
Boas, George
contributor
Boas, George
contributor
false
contributorRole:
Panelist
contributorrole
Panelist
contributorRole
false
contributor:
Feigen, Gerald M.
contributor
Feigen, Gerald M.
contributor
false
contributorRole:
Panelist
contributorrole
Panelist
contributorRole
false
contributor:
Fiedler, Leslie
contributor
Fiedler, Leslie
contributor
false
contributorRole:
Panelist
contributorrole
Panelist
contributorRole
false
contributor:
Fuller, R. Buckminster (Richard Buckminster), 1895-1983
contributor
Fuller, R. Buckminster (Richard Buckminster), 1895-1983
contributor
false
contributorRole:
Panelist
contributorrole
Panelist
contributorRole
false
contributor:
Revelle, Roger
contributor
Revelle, Roger
contributor
false
contributorRole:
Panelist
contributorrole
Panelist
contributorRole
false
publisher:
CWA/Archives, University of Colorado at Boulder
publisher
CWA/Archives, University of Colorado at Boulder
publisher
false
publisherRole:
Publisher
publisherrole
Publisher
publisherRole
false
rightsSummary:
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). URI: http://rightsstatem…
rightssummary
This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). URI: http://rightsstatements.org/vocab/InC/1.0/
rightsSummary
false
dateCreated:
1963-04-11
datecreated
1963-04-11
dateCreated
false
formatPhysical:
1/4 inch audio tape
formatphysical
1/4 inch audio tape
formatPhysical
false
formatDigital:
audio/mpeg
formatdigital
audio/mpeg
formatDigital
false
formatMediaType:
Sound
formatmediatype
Sound
formatMediaType
false
formatGenerations:
Audio/Original recording
formatgenerations
Audio/Original recording
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false
formatStandard:
MPEG Audio
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MPEG Audio
formatStandard
false
formatEncoding:
audio/mp3
formatencoding
audio/mp3
formatEncoding
false
formatDuration:
48:37:00
formatduration
48:37:00
formatDuration
false
formatTracks:
1 audio track
formattracks
1 audio track
formatTracks
false
formatChannelConfiguration :
dual-channel mono
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dual-channel mono
formatChannelConfiguration
false
language:
English
language
English
language
false