COLLECTION NAME:
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Archivision Base to Module 9
mediaCollectionId
ARCHIVISIONBASETO9~1~1
Archivision Base to Module 9
Collection
true
|
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Preferred Title:
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Nus [collection of small nude maquettes]
Work_PrefTitle
Nus [collection of small nude maquettes]
Preferred Title
false
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Image View:
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Nu au bras levé, 1930 [AM 1674 S], overall view from front
Image_Title
Nu au bras levé, 1930 [AM 1674 S], overall view from front
Image View
false
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Creator:
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Henri Laurens (French sculptor, 1885-1954)
Agent_Display
Henri Laurens (French sculptor, 1885-1954)
Creator
false
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Location:
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repository: Centre Georges Pompidou (Paris, Île-de-France, France)
Work_Location_Type_Display
repository: Centre Georges Pompidou (Paris, Île-de-France, France)
Location
false
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Location Note:
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Place Georges-Pompidou
Work_LocationNotes
Place Georges-Pompidou
Location Note
false
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GPS:
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+48.860653+2.352411
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Date:
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ca. 1921-1930 (inclusive); clay casts 1967 (other)
Work_DateDisplay
ca. 1921-1930 (inclusive); clay casts 1967 (other)
Date
false
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Cultural Context:
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French
Work_Culture
French
Cultural Context
false
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Style Period:
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Cubist; Twentieth century
Work_StylePeriodDisplay
Cubist; Twentieth century
Style Period
false
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Work Type 1:
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figurine
Work_Worktype1
figurine
Work Type 1
false
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Work Type 2:
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maquette (sculpture)
Work_Worktype2
maquette (sculpture)
Work Type 2
false
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Classification:
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sculpture
Work_Classification
sculpture
Classification
false
|
Material:
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unglazed terra cotta (fired clay)
Work_MaterialDisplay
unglazed terra cotta (fired clay)
Material
false
|
Technique:
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modeling (forming)
Work_Technique
modeling (forming)
Technique
false
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Measurements:
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47 cm (height, Nu au bras levé) x 20 cm (width, Nu au bras levé) x 15.5 cm (depth, Nu au bras levé)
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Description:
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A series of small studies of female nudes, executed in terra cotta (fired but unglazed clay) from a poured mold. The clay castings (done in 1967, after Laurens death) were based on original plaster maquettes. Laurens returned to sculpture in the round in 1919. After WWI, Laurens rejoined his painter friends (including Braque and Picasso) at the Galerie Simon, which was reopened by Daniel-Henry Kahnweiler on his return from exile in Switzerland. Until the mid-1920s Laurens continued to work in a Cubist manner, gradually toning it down. He abandoned the strict geometry of his still-lifes and devoted himself almost exclusively to the female figure. These figures were all donated to the museum by Daniel-Henry Kahnweiler. (Source: Grove Art Online; http://www.oxfordartonline.com/)
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Collection:
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Archivision Addition Module Nine
LocalCollection
Archivision Addition Module Nine
Collection
false
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Identifier:
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7A1-LAUH-NM-B01
Image_OriginalVendorID
7A1-LAUH-NM-B01
Identifier
false
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Rights:
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© Scott Gilchrist, Archivision, Inc.
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