COLLECTION NAME:
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Archivision Base to Module 9
mediaCollectionId
ARCHIVISIONBASETO9~1~1
Archivision Base to Module 9
Collection
true
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Preferred Title:
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Notre-Dame Cathedral: Stained Glass
Work_PrefTitle
Notre-Dame Cathedral: Stained Glass
Preferred Title
false
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Image View:
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South transept, view of the end wall, with lancet windows
Image_Title
South transept, view of the end wall, with lancet windows
Image View
false
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Creator:
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unknown (French)
Agent_Display
unknown (French)
Creator
false
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Location:
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site: Paris, Île-de-France, France
Work_Location_Type_Display
site: Paris, Île-de-France, France
Location
false
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Date:
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ca. 1180-1258 (creation)
Work_DateDisplay
ca. 1180-1258 (creation)
Date
false
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Cultural Context:
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French
Work_Culture
French
Cultural Context
false
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Style Period:
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Gothic (Medieval)
Work_StylePeriodDisplay
Gothic (Medieval)
Style Period
false
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Work Type 1:
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stained glass (visual work)
Work_Worktype1
stained glass (visual work)
Work Type 1
false
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Classification:
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glass
Work_Classification
glass
Classification
false
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Material:
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stained glass
Work_MaterialDisplay
stained glass
Material
false
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Technique:
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stained glass
Work_Technique
stained glass
Technique
false
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Relation Work:
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part of Notre Dame de Paris
RelationType1_Work_RelatedWork1
part of Notre Dame de Paris
Relation Work
false
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Subjects:
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cycles or series; New Testament; Old Testament and Apocrypha; saints; window: lancet; window: stained glass
Work_Image_SubjectDisplay
cycles or series; New Testament; Old Testament and Apocrypha; saints; window: lancet; window: stained glass
Subjects
false
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Description:
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Three significant areas of original glass remain in the rose windows of the west, north and south façades. The west rose is the earliest, dating from ca. 1205, and has representations of the Virtues and Vices, Labours of the Months and Signs of the Zodiac, a programme that, like the glass at Chartres, correlates with the iconography of the façade sculpture. The glass of the north transept rose (designed ca. 1250) is the best preserved of the three. The iconographic programme represents the Virgin surrounded by Old Testament characters, with 16 prophets in the inner circle of medallions and 32 judges and kings in the outer. The style of the glass painting recalls that of the Sainte-Chapelle, completed several years earlier. A number of panels in the south rose (begun 1258) come from other sources, notably a series depicting the Life of St Matthew (ca. 1180) and an Infancy of Christ series (ca. 1200-1250). The theme of the window is the Last Judgement with Christ in the centre (modern) surrounded by angels and
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Collection:
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Archivision Base Collection
LocalCollection
Archivision Base Collection
Collection
false
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Identifier:
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1A2-F-P-ND-3-A5
Image_OriginalVendorID
1A2-F-P-ND-3-A5
Identifier
false
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Rights:
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© Scott Gilchrist, Archivision, Inc.
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